What appears to be the debut of another series impressed me
just as much as had Edwin of the Iron Shoes when I read Point Deception (2002). The story begins with a common
enough situation, the car driven by a young womans named Chrystal has broken down forcing her to pull off the road on an isolated
stretch of a coastal highway and no one will stop to help her. Among those who pass her by is Deputy Rhoda Swift responding
to another call rather than assist the stranded woman. When Chrystals body is found, washed up along the coast, Deputy Swift
is one of many locals who experience guilt feelings about their lack of good Samaritanism.
The murder stirs up uncertanties and fears that had arose from
an earlier tragedy. Almost exactly thirteen years before, the coastal community had been shocked by the massacre of two families
in Cascada Canyon near where Chrystal's car had broken down. Deputy Swift, then an inexperienced rookie, was the first on
the scene and she has never recovered from the experience. Although they've learned to live with the fact that the murder
has never been solved, and probably never will be, the locals can't get over the fact that the murderer is most likely one
of them. This new death only serves to stir the whole thing up again, especially when two other townswomen die. It is only
gradually revealed that the locals are correct in their instinctive connection between the murders, separated though they
are by thirteen years.
As in all of her novels, Muller displays a great talent for
bringing her characters to life. This is as true of lesser supporting charactrs as it is of the two protagonists. I found
her verbal portariat of Deputy Swift's father to be particularly believable and touching.
The girl Chrystal, whose car broke down, is presented in a highly
sympathetic manner if not portrayed as an especially nice person. In an unusual authorial device, Muller intersperses throughout
the novel a number of flashbacks to Chrystals experiences before the opening scenes of the novel. This means that the reader
knows more about what happened than do the protagonists at most points in the novel. Such a technique could backfire badly
but Muller makes very effective use of it.
Deputy Swift, the protagonist of the story, is a complex and
troubled character who makes a fine detective. She collaborates with true crime writer Guy Newberry, a man who is also scarred
by past tragedy. The two of them get nearly equal page space and one is left hoping that the team will return soon with new
mysteries to solve.